Directed by Olivier Nakache and Éric Toledano
Based loosely on real events, The Intouchables is a French-language film about the friendship between a wealthy white quadriplegic and his poor black live-in caregiver. The Intouchables is a textbook example of a film that preaches against racism but is itself deeply racist. The film’s flailing attempts at comedy fail to leaven the tin-eared melodrama.
Would not see.
Directed by Jordan Peele
Get Out is a satirical comedy horror film. It is Jordan Peele’s directorial debut. Get Out is thoughtfully crafted; the film balances horror, comedy, and politics adroitly. The political statements are organic to the story, they rarely feel shoehorned in. Some moments land awkwardly, but most don’t.
Lost in Translation
Directed by Sofia Coppola
Lost in Translation is an English language romantic comedy-drama set in Tokyo. The writing and acting are good, but the pacing is uneven and the portrayal of Tokyo is flat.
Directed by Martin McDonagh
In Bruges is an English language black comedy set in Bruges. In Bruges is clever, but sometimes too clever. The jokes are consistently funny, but sometimes descend into mean-spiritedness, and the movie sometimes threatens to veer into nihilism.
Midnight in Paris
Directed by Woody Allen
Midnight in Paris is an English language romantic comedy set in Paris. Midnight in Paris is a charming portrait of an imagined Paris, both of the 1920s and the early 2000s, filled with unabashed, but thoughtful, nostalgia and highly amusing caricatures of Lost Generation writers.
Directed by Wes Anderson
Moonrise Kingdom is a coming-of-age film that follows a boy and girl who run away in 1965 New England. Moonrise Kingdom is an endlessly charming film. It ineffably captures the effervescent beauty of childhood. Wes Anderson’s style is mildly divisive, but it ought not be. Nothing in Moonrise Kingdom is frivolous affectation; the style invariably contributes to the substance. The film is meticulously crafted, but it is suffused with expansive feelings and casual insight.
Directed by Cameron Crowe
Almost Famous is a semi-autobiographical comedy-drama about a teenage journalist writing for Rolling Stone. The film’s approach to music is both pretentious and unimpressive. The characters are one-note, the plot points are predictable, and the tone shifts between comedy and saccharine every couple minutes, making Almost Famous feel like a feature-length sitcom.
Would not see.
Eternal Sunshine of the Spotless Mind
Directed by Michel Gondry
Eternal Sunshine of the Spotless Mind is a science fiction film about a man, a woman, and a company that erases memories. The film’s eloquent, complicated writing and ambitious directing easily survive the uneven acting to result in a film that is both heartfelt and intelligent.
Directed by Jerry Zucker, Jim Abrahams, and David Zucker
Airplane! is a satirical parody of the disaster film genre. Untethered from coherence and unashamedly silly, Airplane! is both funny and lasting.
Don’t Think Twice
Directed by Mike Birbiglia
Don’t Think Twice is a comedy-drama that follows an improve troupe in New York City. Don’t Think Twice aims to be funny and poignant, and the the film’s clever dialogue, talented case, and well-balanced tone go a long way towards those ends, but the problems inherent in moving improv scenes from a live audience to a movie theater and the needlessly obvious machinations of the plot leave one with the nagging feeling the film was thought out too much by half.