Ils Sont Partout
Directed by Yvan Attal
Ils Sont Partout [They Are Everywhere] is a French-language comedy composed of vignettes about Jews and antisemitism. Ils Sont Partout is very funny and intermittently incisive – Yvan Attal acts like a very French Woody Allen – but a handful of the sketches drag.
Do the Right Thing
Directed by Spike Lee
Do the Right Thing is a comedy-drama about race relations in Brooklyn. The film is paced well, directed with verve, and generally nuanced, but it is a little didactic at times.
Directed by Jacques Tati
Play Time is a French comedy with minimal dialogue. It is almost entirely unlike other movies, which is more than can be said for most films. Most of the scenes are funny and some are even incisive, but a handful fall flat – and the film (at 124 minutes) feels longer than it is.
Directed by Olivier Nakache and Éric Toledano
Based loosely on real events, The Intouchables is a French-language film about the friendship between a wealthy white quadriplegic and his poor black live-in caregiver. The Intouchables is a textbook example of a film that preaches against racism but is itself deeply racist. The film’s flailing attempts at comedy fail to leaven the tin-eared melodrama.
Would not see.
Directed by Jordan Peele
Get Out is a satirical comedy horror film. It is Jordan Peele’s directorial debut. Get Out is thoughtfully crafted; the film balances horror, comedy, and politics adroitly. The political statements are organic to the story, they rarely feel shoehorned in. Some moments land awkwardly, but most don’t.
Lost in Translation
Directed by Sofia Coppola
Lost in Translation is an English language romantic comedy-drama set in Tokyo. The writing and acting are good, but the pacing is uneven and the portrayal of Tokyo is flat.
Directed by Martin McDonagh
In Bruges is an English language black comedy set in Bruges. In Bruges is clever, but sometimes too clever. The jokes are consistently funny, but sometimes descend into mean-spiritedness, and the movie sometimes threatens to veer into nihilism.
Midnight in Paris
Directed by Woody Allen
Midnight in Paris is an English language romantic comedy set in Paris. Midnight in Paris is a charming portrait of an imagined Paris, both of the 1920s and the early 2000s, filled with unabashed, but thoughtful, nostalgia and highly amusing caricatures of Lost Generation writers.
Directed by Wes Anderson
Moonrise Kingdom is a coming-of-age film that follows a boy and girl who run away in 1965 New England. Moonrise Kingdom is an endlessly charming film. It ineffably captures the effervescent beauty of childhood. Wes Anderson’s style is mildly divisive, but it ought not be. Nothing in Moonrise Kingdom is frivolous affectation; the style invariably contributes to the substance. The film is meticulously crafted, but it is suffused with expansive feelings and casual insight.
Directed by Cameron Crowe
Almost Famous is a semi-autobiographical comedy-drama about a teenage journalist writing for Rolling Stone. The film’s approach to music is both pretentious and unimpressive. The characters are one-note, the plot points are predictable, and the tone shifts between comedy and saccharine every couple minutes, making Almost Famous feel like a feature-length sitcom.
Would not see.